Establishing shot

 The establishing shot sets up the scene, and signifies to the audience what the film is about. A low angle shot of the front of the school is an anchorage of what the film is about. The low angle shot makes the school look haunted, and gives if an intimidating feel.

 The school building is the perfect scene for our film genre of horror. The building is old and contains a Gothic quality's much like churches and, building you might imagine from classic Gothic literature. Even more so when we convert the colour to black and white. The low angle shot gives the building an important status, the building is portrayed as high and mighty. You might also believe and feel as though the building was a character in its self, and bares dark qualities like the beast. I personally would treat the building in this way, because it plays an important and significant role. The school engulfs the helpless girl, and also acts as a partner in the monsters gruesome crime. (This shot was used for the opening, which will also include the title sequence)

 This shot was also on of our initial ideas, Which was also initially our favourite shot whilst filming, and we made a unanimous decision that this would be our establishing shot, however when we began to edit, we discovered another shot we experimented with, which was more suited to the role.

 Even though we had made a decision already made, just to be on the safe side and to give our self a wide variety of establishing shots to use for our film, filming the back of the film also became an option. Although we had taken time to film this part of the school, however the external buildings didn't have a place in the mise en scene, if we had no other options then this would have been acceptable, how ever we have other options which we shall use.

Nick had an idea, which was to have a sequence of shots of the school, one after another as the title sequence rolled. However the initial idea made more sense to have one still shot of the exterior of the building where the crime and drama takes place. Hopefully if the weather co-operates there will be clouds in the sky, and we can speed it up using after effects, the use of this effect Will create a pathetic fallacy, which will signify to the audience what they might expect from he rest of the film, the pathetic fallacy is necessary at this moment in the film, because our project is to create the first two minutes of a film.
 Moonrise has been a huge influence on my personal vision of the film, the idea for the use of pathetic fallacy came from Frank Borzage, If I could I would have used the use of shadows, however we don't have the lighting to create this effect.

Citizen Kane-low angle shot / Costume

 Citizen Cane, to many is considered the most important film ever made. Looking at the film and for insparation and, extrapulated this important shot to help us with our own shots, storyboards and desired effects. This shot is particularly important because it had never been seen before in film, building the set on a stage to create this exiting new low angle shot. Luckily for us part of our opening sequence is filmed on an actual stage, which came in handy when creating our very own Citizen Kane low angle shot.

Costume
Also in this freeze frame, as an audience you will notice the "damsel in distress" is sporting a white cardigan and white trainers, (she is a modern, damsel) this juxtaposes the black background. The contrast will signify to the audience, that this character is innocent and pure, and is vulnerable. The black backdrop portrays the setting as one of danger,of mystery and enigma. The black curtain acts almost as a huge shadow, which puts the audience at an unease, because the character is unaware of the danger she might be in. Everything in the mise en scene has been thought about in fine detail and, this scene is frame to create this desired mood. I suggested this part of the school especially for the mise en scene, i had my heart set on doing the genre of horror from the very first lesson. Which is why we have followed some basic rules of classic horror. Of course if we had the facilites to do so, it would be closer too a classic horror, however we worked with what we had, and so far we have been doing this well, now the success off the final piece will fall down to the quality of the editing.

This shot is framed like this to specifically out line the contrast between both characters, its an anchorage of the idea of good verse evil. The meanings of black and white signify to the audience who is who, what may happen and who's the goodie and who's the baddie. Black and white juxtapose each other, they are two different extermes of shades. If you notice, the trainers are both the same brand, and are typically worn by young teenagers, which signifys to the audience that her killer, is perhaps one of her peers, and someone she knows. which adds a more creepy feel to the shot, and effectively to the feel of the film. Which also reflects real life, which is more terrifying then any film made in history. With the underlineing issue of- you are more likely to be attacked/ killed by someone you know rather than a stranger, in the back of our minds, we always have a thought that we may have stared our possible muderer in the face, which brings that gut feeling and that is the feeling we were hopeing to capture in this frame.

F.E.A.R. 2: Project Origin - School Theme

This music has been choosen to create a build up of tension, also it tells the audience somethings about to happen, and will have them on edge. This non-diagetic piece of music will be perfect for the stair case scene, when the female character is being stalked by this mysterious other character. Or perhaps, the scene when the female enters the hall is and walking round the stage, looking for her friend. Either or, this music is most definitely perfect for our project!
Now our project is underway, and we have begun filiming, I have an idea of where this music may just be perfect. Once (I) the main charater leaves the dining hall to meet 'Oliver' and begins to mount the stairs, a single drop of water lands on (my/) her hand. This, may be the seliva or it could just be a drop of water from the roof on an old building. The moment this substance is noticed, we could try adding this peice of music, the moment it hits the hand, which is the moment the auidence is on edge, along with charater.

Research into non-diagetic music

This is my favorite of the two classical pieces because, it tells a story and has a climax which our piece will have towards the end when the figure behind me disappears, and hopefully this music will flow, I'm going to carry on looking, but this music creates a definite horror genre which is exactly what were looking for, I'm going to share this with the rest of my group and hopefully they share my enthusiasm for this music, this is not the final music because we haven't finished filming yet, but its always good to have multiple ideas.

Chopin - Nocturno en si bemol menor Op 9 Nº 1

I believe that this would work well for our title sequence, it reminds me of classical horror and gives me that feeling of a full scence of security, which is later shattered by the series of events. The title sequence includes old classical painting of form er head masters of the school in which our film is set in, which works very well with the classical music, I will put forth my ideas to my group and together will decided weather or not this is a good idea.

Research

Considering I have previously looked at this film to head me int he right direction, its only natural that i use it again to better my understanding of the task ahead, also my film we have unanimously decided its going to be in black and white will also give me more of a feel to what my film may look like. The non-diagetic sound, much like The shinning, also already sets the scene of a horror movie, its not subtle nor does it use juxtaposition, which i may consider in my own piece. The use of shadows creates a spooky feeling and un eases the audience because shadows naturally scare us as humans because you can't fully see the figure and reminds us of child hood fears. We also might want to use bad weather, to create  pathetic fallacy so the audience also knows the tone of the film. Unlike The Shinning in the first minute we already know by the shots that someone has died, and we are starting to piece together what may happen in the film, its been set up completely different, which is helpful to me because now i can decide which i think is better. The baby crying is also a good touch, because the audience knows somethings wrong because the baby is un-easy, and sometimes we belive babys to have other senses.

Research

Looking at classic successful horror films will give me a better understanding of what I have to do my self. This is the first two minutes of The Shining by Stanley Kubrick. The camera movements are slow and the non-diagetic sound already creates a huge sense of suspense and tension, already we know somethings going to happen and that this is a horror film. I is in the middle of no where in a huge spooky looking house, not much has been given away yet, which I need to bare in mind when shooting my piece. The beginning credits appear trough the scenes, which is done well although we don't have the equipment to do such shots, its useful to have this clip because it is a perfect example, and is along the lines of what i have to do.